I’m working on a new cosplay project that I hope to debut at Calgary Expo in April. I really enjoyed sharing the process of making my Krul Tepes cosplay, so I’ve decided to do the same with this cosplay: Rize Kamishiro from Tokyo Ghoul!
I’ll keep adding to this page as I get further in the building and sewing of this project. I can’t wait to try on the sclera lenses and wig, and get my kagune attached to the costume!
A month ago Dustin and I began our trip in Tokyo! So, as with our last trip, I’ve decided to copy out each day of my travel journal into my blog. Each day for the next 18 days I will share a post of what we did in Tokyo a month prior.
So, let’s get into it! (Or, start with day 1 here)
From Shauna’s Journal
Day 10, December 23rd, 2019
My tattoo with Horimitsu started at 12, and was at his studio in Ikebukuro within walking distance from Sunshine City. As such, I left at 11:30 to give myself plenty of time- even still, when I reached the tagged spot on Google Maps, I couldn’t tell which building was Horimitsu’s. I found a wooden structure with some signage and a doorbell, but Google Translate didn’t really tell me what it said. I thought, well, this is mainly a residential area, so maybe it’s Horimitsu, or a business that can direct me to him.
I rang the buzzer and waited. A hunched, tired looking old man answered, standing in his dark entrance, and I knew right away this was not Horimitsu’s studio… I blurted “Horimitsu desu…ka…?” and the man sort of smiled and said “ah… Horimitsu…san…” and beckoned me to follow him. He hobbled along with his back bent at an improbable angle, heaving himself up the couple of steps to the building across the street. Tucked there in a corner was a door covered in cool stickers. He told me to knock. Soon, Horimitsu answered amidst my desperate apologies to this kind old man: “Doumo sumimasen! Gomennasai! Totemo gomennasai, doumo arigatou gozaimashita!!!” The man told Horimitsu something, probably like “she knocked on my door so I took her to you” with a bit of a smile (likely translation? “another damn gaijin mistook my business for your tattoo place, jeez…!”)
After apologies from Horimitsu, I entered, and he bid me sit on his couch, where a coffee table sat covered in tattoo magazines, including the one featuring John Mayer on the cover with his Horimitsu tattoo on full display.
Master Horimitsu was quiet, charming, and knew quite a lot of English. We decided on the placement of my tattoo and he began with the linework, which is done with a regular tattoo gun. Right before starting he said “Okay… starting… prepare… my tattoo hurts more than other tattoos!” ok thanks, got it… ^-^’
His linework was indeed thick and a tad painful at times, but I think I did okay aside from a few grimaces. As he worked on my arm, we listened to Christmas jazz & chill music, and I gazed up at his impressive wall of stencils from previous tattoo designs.
After a while, maybe 45 minutes, he said “Hai. Tebori ne” and started tebori (hand-poke) method just like that. Amazingly, it didn’t hurt any more than any other tattoo I’ve had! I could hear the needles puncturing my skin again and again, but it wasn’t bad.
We chatted on and off through my tattoo- about Japanesed tattoo laws and the current court cases, Japanese food, Canadian weather and seasons, our pets, Dustin, teaching English in Japan, onsen etiquette, all kinds of things. He is a very accomplished and impressive man, but also very humble and kind. ❤ I gave him some maple candies, a card, and a magnet with my designs, and he thanked me.
The tattoo was over in just 2 hours! It really does capture the energy and cuteness of Tegan!
I said my goodbyes to Horimitsu, and as I was standing outsite setting up my GPS directions he dashed out of the studio, patted my shoulder and said farewell once more, and ran across the road towards the old man’s house/business. I feel certain he was giving the man a gift (he had something in his hand) in apology for my earlier intrusion!
I walked a bit to the Ikebukuro Ichiran Ramen, where I enjoyed another bowlof delicious tonkatsu (no waiting in line this time!) and laughed at the bathroom that had something like 12 toilet paper dispensers mounted to the wall- you won’t run out of TP at this Ichiran!
I took a couple of detours before heading back to the hotel, spending a considerable amount of time browsing at Animate, where I bought some vampire comics and BluRay musicals. I also stopped at the Gakuen cafe for a drink or two and met a couple of nice girls from New Zealand, and chatted for a bit.
Later on, back at the hotel, Dusty and I enjoyed a great assortment at the buffet on the basement floor. The dinner spread was elegant and fancy, but my favorite was the dessert- cakes, squares, and soft-serve ice cream, plus a chocolate fountain!
Now I am doing laundry on the 6th floor and tidying up our hotel room -_- zzZZZzzzZZZ
Check out day 11, A Christmas-Eve Date at Robot Restaurant, here!
Man, I often get stuck in a reading rut and find myself pushing through books that don’t hold my attention very well, but I’ve been really lucky with my picks recently- they’ve been knocking it out of the park! My last post I reviewed The Beast Player, which is an immersive fantasy. My most recent read, however, is a more everyday sort of story, but it certainly has its share of unexpected moments.
Kamikaze Girls by Novala Takemoto is a cult classic in Japan that inspired a film adaptation. It’s a book about two Japanese teenage girls who live in a rural prefecture and become unlikely friends. Each follows her chosen lifestyle devoutly: Momoko strictly adheres to Lolita fashion and indulgent living, while Ichigo is a full-on Yanki: a member of a motorcycle gang who thinks she’s super tough despite only having a scooter.
When Momoko tries selling some of her father’s knock-off Versace pieces to make some money for buying expensive Lolita clothing, she encounters Ichigo and the two are drawn together on a fateful journey to find a legendary embroiderer.
What makes Kamikaze Girls so engaging is the humour: author Takemoto says in the afterward that Momoko is pretty much his alter-ego (p. 213), and her sarcastic narration, exasperation, and dry commentary throughout the story carry it along with tons of hilarity. You might expect an adherent of Lolita lifestyle to present herself as sweet and dainty as the fashions she wears, but Momoko is far from a delicate flower. She takes the indulgence part of Rococo style very seriously, and is quick to shut down or criticize anything that doesn’t suit her whims with a brutal retort.
The story is fun and at times a tad absurd, but it also feels genuine- the girls, especially Momoko, come alive as you are reading. I haven’t seen the movie adaptation yet, but I could practically imagine the whole thing in my head because it was portrayed so well. I wish I could be friends with Momoko and Ichigo! Their friendship brought to mind for me that of the Amars from Akiko Higashimura’s Princess Jellyfish series: girls who may seem outwardly very dissimilar and have completely different interests, but who share some important core values and can embrace their individuality while also supporting the passions of their friends.
The ending is very suiting, with things falling into place just as they feel they should. What really earns Kamikaze Girls a special place in my heart, though, is that there is an emboldening underlying message of “let’s all get along while following our own paths and doing whatever the hell we want!” (p. 215).
I’ve ordered the film based on the book through inter-library loan, and very much look forward to seeing Momoko and Ichigo come alive in a different way on the screen!
I picked up Nahoko Uehashi’s The Beast Player because I am visiting Japan again soon and enjoying reading a bunch of Japanese literature before I go. This book blew me away unexpectedly. I came across it in the Teen room at the library where I work, and it’s an excellent read for young readers and adults alike.
Elin’s family has an important responsibility: caring for the fearsome water serpents that form the core of their kingdom’s army. So when some of the creatures mysteriously die, Elin’s mother is sentenced to death as punishment. With her last breath, she manages to send her daughter to safety.
Alone and far from home, Elin soon discovers that she can communicate with both the terrifying water serpents and the majestic flying beasts that guard her queen. This skill gives her great power, but it also involves her in deadly plots that could cost her life. Can she save herself and prevent her beloved beasts from being used as tools of war? Or is there no escaping the terrible battles to come?
(From the book jacket)
The Beast Player is an epic fantasy, a standalone story, and a philosophical musing on the futility of war. It features an inquisitive protagonist, a badass mom, a kindly father figure, and many more admirable- and not so admirable- characters, as well as some interesting creatures.
The pacing is perfect and just enough detail is given by translator Cathy Hirano to pull you into the world without becoming tedious. Even the most fantastical elements in this story are fleshed out in a thoughtful and believable way, and the actions and reactions of the characters also feel refreshingly realistic.
Elin is a clever, independent, and interesting young woman, and a keen observer of the natural world. Her story doesn’t follow many of the expected tropes one often sees- there’s no predictable romance here, just a tight and interweaving story full of adventure.
I just finished up a really awesome uni course for my MLIS, and we were recently discussing portrayals of women in comics.
This is a touchy subject for sure, and as with anything I try to keep an open mind and consider the many shades of gray. There’s nothing wrong with enjoying erotic art and comics (I do!) but I’m talking about something different here outside of the context of erotica.
To be clear before I get into it, I don’t believe in the censorship of artistic work— Neil Gaiman helped shape my perspective on this topic with his blog post Why Defend Freedom of Icky Speech?, which I totally recommend reading if you haven’t yet. I’m not interested in participating in witch hunts of particular artists because they draw or write thoughtlessly sexy women—I’m more interested in the big-picture phenomenon.
When it comes to hypersexualized portrayals of women in comics, the thing that irks me is the ubiquitous nature of it- it’s OK for characters to be sexy, but when the default has been that women and girls in Western comics are contorted and accentuated regardless of their personality or the context of the scene, it becomes a tiresome, dehumanizing trope.
Don’t get me wrong — I’m a huge fan of comics in general, including many that feature these sorts of female characters, and I will defend any author’s right to write or draw their characters however they see fit. It’s your story, knock yourself out. Artistic freedom doesn’t mean you can’t be criticized for your choices, though, so I too have the freedom as a comic consumer to call you out and roll my eyes if you unleash yet another barely covered bombshell babe whose story takes a backseat to her… well, backseat.
So why does a female character drinking coffee at home alone in her pyjamas sit in a spine-cracking posture with her butt extended, lips pouting, and shine highlighting the curves of her inexplicably exposed underboob? Why does a powerful heroine need to bend her body in such an anatomically impossible way that we can see both her bum AND her boobs on display when she’s mid-action?
Why is this the standard way that women are portrayed? Traditionally comics were considered a masculine space, and as such these depictions aimed to appeal to the male gaze— yet, I wonder how much of that historic imbalance in demographic is because of the aforementioned ways women have been depicted in comics and other media (when they’re depicted at all)?
“My feeling was never that the industry was that vile, my feeling was that there just hadn’t been any feeling that females were interested, and so all the content skewed that way, to that imagined audience. Which becomes self-fulfilling.” (Simone, 2014).
Just go to any con nowadays and you will see that women love comics- they’re a valid format for us just as much as anyone else, albeit with a long history of objectifying us unnecessarily.
“A woman’s sexuality is one of her many facets that she is allowed to express, however she likes. The problem is that our media landscape shows, values, and celebrates women’s sex appeal more than any of their other qualities, opinions, or accomplishments… when you grow up as a girl surrounded by sexualized images of women, it changes the way you build your identity.” (Rees, 2019, p.45).
Comics have a history of hypersexualizing women that goes back many decades, and people have been discussing the phenomenon for just as long. One more recent(ish) project that has really provoked discussion about ridiculously hypersexualized poses of female characters is The Hawkeye Initiative, in which people redraw sexy female poses with Hawkeye. I gave it a quick shot below…
Drawing Hawkeye like this might seem like taking “an eye for an eye”, but his portrayal it doesn’t have the same weight- besides the fact that my awkward rendering isn’t nearly as stylistic and professionally done as the original, the sexualization of male characters is certainly not omnipresent like that of female characters, and men don’t have the troubled past of systematic and oppressive objectification tailing them. The result is a cheeky satire that points out the absurdity of how female characters are so often portrayed.
Some comic fans will point out that lots of superheroes have bulging muscles that are larger than life, aiming to equate this with sexualized femme characters, but ridiculously strong male characters are different than pointlessly sexualized female characters for a few reasons:
generally there is an arguably valid reason that the man might have huge muscles (for example, he’s a superhero); over-sized muscles are certainly an unrealistic ideal, but they usually don’t come with the baggage of being totally pointless- they’re a boon to the character and part of his superpower
these muscled male characters aren’t created for the female gaze- they’ve been included in traditionally male-focused comics and could perhaps be seen as a male wish fulfillment fantasy or an exaggerated style
even when male characters have huge muscles or accentuated features, they aren’t habitually highlighted to the same cumulative extremes that the female anatomy is often subject to: protruding, glistening, tugging at skimpy fabric, peeking through non-functional viewing holes, angled awkwardly to be shown off at every possible opportunity, etc…
Taking it to a further and more upsetting level, a female character’s assuredly ample physical assets are very often contrasted with an underdeveloped backstory, nonexistent character arc, or her being used as a throwaway plot element or means to the ends of a violent trope, as pointed out in Gail Simone’s “women in refrigerators” movement born in the late 90’s.
“At the time, you know, female readership was low, female con attendance at comic cons was low, morale for female readers was low. And I kept seeing guys ask, “Why don’t women read comics?” And for me, it felt that there was a connection between that and the fact that if you loved female superheroes, you had this endless parade of stories where the women were killed or de-powered, and they were never the focus of the story.
It felt symbolic, it felt textural. It felt like they were saying, okay, no one cares about Supergirl, no one cares about Batgirl, and so their stories rarely became about survival, they became about some dude getting revenge on their behalf.” (Simone, 2014).
Again, drawing sexy female characters in and of itself isn’t a bad thing – a sexy woman is empowering when she’s owning it – but it’s the nonchalant routine of the industry expecting this uber-sexed up default paired with otherwise forgettable, tragic, or underdeveloped characterization that doesn’t sit well with me.
To conclude, I don’t think we should be trying to ban works or shame those who read them – let the creators create what they will, and let consumers enjoy what they want in peace- but I hope more creators and publishers are beginning to realize that mindless routine portrayals are alienating a potentially huge reader base who are rolling their eyes at yet another pointlessly and predictably titillating femme fatale.
Today, although hypersexualized female characters are still common, both indie and mainstream comics are being published with much more diverse characters and successfully appealing to more demographics, which is wonderful to see.
Claremont, C., & Buscema, J. (2005). Marvel comics presents: Wolverine. New York: Marvel Comics.
Pak, G., Parker, J., Frank, G., Kirk, L., Pagulayan, C., & Sibal, J. (2008). World War Hulk the Incredible Hercules. New York: Marvel.
Rees, A., & Esmeraldo, M. (2019). Beyond beautiful: A practical guide to being happy, confident, and you in a looks-obsessed world/ Anuschka Rees ; illustrations by Marina Esmeraldo. New York: Ten Speed Press.
It’s been a while since I read Saga Vol 1, but I’m discussing it in my comic course so I gave it a reread and remembered afresh why I love this series so much. The plentiful fantasy and sci-fi elements, plus a beautiful forbidden love story between two complex and flawed badass characters, sprinkled with startling imagery and unexpected humour, makes for a really compelling tale.
Vaughan’s dialogue throughout feels so raw and real, especially with Alana who pulls no punches beginning with the memorable first page. The world, too, feels very attached to our own despite the whimsical fantasy of it. The story takes itself seriously at its core, depicting the brutal cruelties of life and war, as well as more tender moments. There are some very messed up things happening in Saga’s universe, but these atrocities are closer to the realities of our Earth than we’d like to think.
It wasn’t until after reading a few volumes of Saga that I learned the amazing and award-winning artist Fiona Staples was Canadian. Today that I learned she was born in Calgary- so cool! Staples’ art impresses me a lot- I really appreciate it when artists show you the nitty-gritty and go all in instead of making something watered down for wider consumption.
Saga doesn’t cater to the widest possible audience, but instead presents itself authentically, unabashedly, and in-your-face, no holds barred. It’s got action, emotion, diverse characters, strange creatures, and an epic feel. It’s totally earned a spot in my top favorite comic series.
***Scroll down for comic if this is tldr for you***
This is not my usual geeky post, but something more personal and heavy—something that’s been on my mind a lot lately.
Do you ever read the news and think, man, this sounds like the beginning of a movie about the end of the world…? I do, increasingly lately. The headlines keep coming with words and phrases like scientists warn… tipping point… dire warning… catastrophe… and yet the world keeps on turning and for the most part people in developed nations go about their days much the same as they always have.
I’m generally a pretty positive person who lives by whatever will be will be, and I will make the best of it while I’m here, but I’m unable to shake the anxiety that comes from worrying about the future of earth- not just for myself, but more especially for my nieces and nephew, and potential children and grandchildren.
I’m nearing 30 years old and I still don’t know if I want to have kids- part of this indecisiveness is prompted because it seems like earth is on a very swift and dangerous trajectory.
Bringing up these kinds of things often makes people defensive, but I don’t mean to imply that any particular individual should feel personally ashamed for the state of the earth or the way they live; our problems are huge and systematic. Eco-perfection is a dangerous notion that discourages people from even trying—nobody is perfect, and living a 0 impact lifestyle isn’t immediately practical, affordable, or possible for many people. Rather than being discouraged, we need to take what steps we can on personal, community, national and global levels- and fast.
I am a lucky person who lives a good life, and I’m grateful for it every day, but my visions of the not-so-distant future are becoming bleak. In the last few years I’ve implemented some more earth-friendly changes in the way I live, but I am also very aware that I have a privileged life, that I can be wasteful, that I enjoy my creature comforts. I love to travel (and have to travel if I want to visit my family across the country), I buy too many cute plastic knick-knacks, and sometimes shower longer than I should. I could go on. I live in an oil boom-town where big-industry employs many of my friends and loved ones- it’s a diverse community of people who are seizing opportunity where they can, and who can blame them?
The cost of living is climbing, taxes are relentless, and people will go where they need to and do what they have to do to make a living and provide for their families. We can and must do what we can personally to live sustainably, but we also need to make our corporations, industries, and governments listen and take BIG actions, make BIG changes- right now we’re acting too little too late. If we keep deterring action because of whataboutism, aversion to change, and all-or-nothing perfection aspirations, we’ll be really sorry in 10, 20, 30 years.
It always comes down to money, what about the economy, but what good will our money do when our systems collapse? The doomsday-preppers will be in their element for a while, and the uber-rich-and-powerful will head to their swanky underground resource shelters… and then what?
When it comes to climate change, positive feedback loops are scary. I was thinking about this and decided to make a comic about it, since I believe comics are a great way of sharing information.
It’s not fun information by any means- it’s sobering- but I’m worried that the world is sticking its head in the sand and we’re about to reach a point of no return. And so, I do the only thing I can think to do- research and draw.
P.S.- I’m no scientist; I’m explaining this through my own understanding of personal research, but check out some credible sources— there’s a lot out there, and I’ve included a few studies at the bottom of my comic.